Pyro Industries API-1394PCI manuály

Uživatelské manuály a uživatelské příručky pro Videokamery Pyro Industries API-1394PCI.
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Tabulka s obsahem

AVID MADE EASY:

2

AVID MADE EASY

4

Acknowledgments

10

About the Author

11

Contents

12

Chapter 3 Basic Editing 81

13

Chapter 4 The Timeline 135

14

Chapter 5 Trimming 169

14

CONTENTS ■

15

■ CONTENTS

16

Glossary 291

17

Introduction

18

INTRODUCTION ■

19

How to Use this Book

20

The Companion DVD

20

How to Contact the Author

20

Introduction to

22

Avid and Editing

22

Into Nonlinear Editing

23

■ INTO NONLINEAR EDITING

24

The Avid Product Line

25

■ THE AVID PRODUCT LINE

26

NuBus Avids

27

PCI Avids

29

Meridien Avids

30

DNA Avids

31

Figure 1.7 An Adrenaline box

32

Editing Workflow

33

■ EDITING WORKFLOW

34

Figure 1.10 Editing the media

37

Figure 1.11 Trimming

38

Figure 1.13 Designing

39

Figure 1.12 Prepping

39

Figure 1.15 Output

41

Capturing

42

System Recommendations

43

Xpress Pro

44

2: CAPTURING ■

45

Allotting Proper Drive Space

46

Tape-Naming Conventions

49

Choosing a Resolution

49

Determining the Final Product

50

Using a Deck for Capture

51

FireWire

51

■ USING A DECK FOR CAPTURE

52

RS-422 into Mac serial

53

Figure 2.7 RS-422 connector

53

Video Connectors

54

BNC CONNECTORS

54

RCA OR PHONO CONNECTORS

54

Figure 2.11 A

55

Figure 2.10 RCA/phono

55

The Capture Button

60

The Trash Can Button

60

The Deck Button

62

Audio Tool

64

Passthrough Mix tool

64

Audio Project Settings

67

Setting Audio Input Levels

68

Choosing Recording Tracks

70

Naming and Commenting Clips

71

The Message Bar

72

Choosing the Target Bin

73

Selecting Media Resolution

73

Selecting Target Drives

74

DV Capture Offset

75

Identifying the Source Tape

77

Figure 2.31 Selecting a tape

78

The Marks Registers

82

Capture Keyboard Shortcuts

84

DV Scene Extraction

85

> DV Scene Extraction

86

Logging with the Capture Tool

88

Understanding Frame Code Mode

88

Capturing with Mojo

94

Opening the Capture Tool

96

Adjusting Audio Levels

97

Naming the Tape

98

Setting Points

98

Choosing a Drive

98

Basic Editing

102

How to Make Editing Fun

103

3: BASIC EDITING ■

105

A Quick Walk Around the GUI

106

The Toolsets

108

Basic Toolset

109

Source/Record Editing Toolset

110

Effects Editing Toolset

111

Audio Editing Toolset

112

Capture Toolset

112

A Tour of the Interface

113

Bins Tab

114

Figure 3.11 Hamburger menu in

116

Figure 3.14 Audio Project

118

Settings window

118

Figure 3.19 Desktop Play

120

Delay Settings window

120

■ A TOUR OF THE INTERFACE

122

Effects Tab

127

Info Tab

128

Clip Menu

129

Mini-Timeline

130

Source and Record Buttons

130

Figure 3.44 Locator window

133

Continues

134

Timecode Registers

136

Brief View

137

Text View

137

> Headings

138

Script View

139

The Timeline

140

Audio Meters

145

Prepping the Project

147

Loading Clips

148

Marking Clips

148

Navigating through Media

150

Making the Edit

151

1. Mark In Source

154

2. Mark Out Source

154

3. Mark In Record

154

4. Splice

154

Source Track Panel

157

I Want My Filmstrip!

159

MONITORING

160

SCRUBBING AUDIO

161

Patching Tracks

162

The Rules of Patching Tracks

163

Sync Locks

163

Figure 4.10 (left) Sync locks

164

3. The track is unlocked

165

Adding Audio Tracks

166

Deleting Tracks

167

The Audio Tool

168

Reset Peaks

169

Set Reference Level

169

Tone Media

170

Bars and Tone Standards

171

Figure 4.20 Bars and tone in

172

Audio Settings

173

Input Settings

173

Output Settings

173

Sampling Rates

174

Lift/Overwrite Mode

175

2. Click the B shot

175

■ THE AUDIO TOOL

176

4: THE TIMELINE ■

177

Video Quality Previewing

178

Timeline Scroll

179

Other Options

181

Timeline Settings menu

182

Tutorial: Building a Timeline

184

3. Click the New Bins button

184

Analog Scrub

186

Moving a Segment

187

Deleting Clips

188

Trimming

190

What Is Trimming?

191

Trim Selection

192

Figure 5.2 Trim mode

193

Trim Loop

194

A-Side Source Trimming

195

B-Side Source Trimming

196

Trimming Both Sides

196

Trimming Methods

197

Adding Rollers

198

Button Trimming

198

Trimming by Numerical Entry

199

Trimming on the Fly

200

J-K-L Trim (Xpress Pro Only)

200

Figure 5.12 J-K-L Trim option

201

Slipping

202

Figure 5.13 Slipping

203

Figure 5.16 Sliding

204

More Trimming Considerations

205

Adding Filler While Trimming

206

Extend Function

206

Maintaining Sync

207

Tutorial: Trimming Sequences

209

1. Take a deep breath

209

Sync Breaks

210

Trimming Using Rollers

210

Trimming Using Digital Scrub

211

Using the Trim Buttons

211

Importing, Exporting

212

Still Graphics

213

Frame Size

214

×486; that

214

×480. Digital video (DV)

215

Pixel Aspect

216

Figure 6.4 Small image

217

Color Levels and Color Space

218

Field Ordering

219

■ STILL GRAPHICS

220

Alpha Channel

221

Importing Graphic Files

222

Single Frame Import Duration

223

Importing Audio from a CD

227

Importing QuickTime Files

228

Exporting

229

Macintosh Image

230

Windows Image

230

Creating Your Own Settings

231

Graphic Exports

231

Single-Frame Graphic Exports

232

Exporting Audio Files

233

Figure 6.15 Audio sampling

234

Two Types of QuickTime Movies

235

■ EXPORTING

236

Using and Copying Codecs

237

Exporting Sequences

238

Saving the Export Settings

239

Drag-and-Drop Exporting

239

Exporting QuickTime Movies

240

Audio Codecs

242

Other Movie Exports

243

Exporting OMFI Files

244

Exporting AAF Files

244

Digital Cut

246

Editing Bars and Tone

247

Adding the Slate

248

Rendering Effects

249

Convert Audio Sample Rates

249

Look Busy!

250

Assemble Edit

251

Crash Recording

251

Configure the Record Deck

252

Figure 6.25 Selecting a deck

253

Deleting Deck Configurations

254

■ DIGITAL CUT

256

Figure 6.30 Selecting a

257

Digital Cut with Mojo

258

Tutorial: Import and Export

259

3. Select Create Tone Media

259

Adding Bars

260

Adding a Slate

261

Render Effects

262

Rendering with Mojo

263

Converting Audio Sample Rates

264

Calibrating for Output

264

Effects and Transitions

266

Motion Effects

267

Motion Effects Interpolation

268

Freeze Frames

269

Standard Motion Effects

270

Object and Alignment Menus

271

Title Tool GUI

272

Figure 7.7 Customizing

273

Figure 7.6 Title styles tear

273

Figure 7.9 Jaggy fonts

274

Figure 7.8 Color

274

7: EFFECTS AND TRANSITIONS ■

275

■ TITLES

276

Palette Effects

277

Applying Effects

278

Removing Effects

278

Real-Time Playback of Effects

278

Transition Effects

279

■ PALETTE EFFECTS

280

The Effect Editor

281

Adjusting Parameters

282

BORDER COLOR

283

BORDER BLEND COLOR

283

Acceleration

284

Background

285

Saving Effect Templates

287

Timecode Navigation

288

Editing with Keyframes

289

Adding a Keyframe

290

Selecting Multiple Keyframes

290

Deleting a Keyframe

290

Moving Keyframes

291

■ EDITING WITH KEYFRAMES

292

Building Vertical Effects

293

Real-Time Effect Playback

294

The Laws of Rendering

296

Submaster Effect

297

Step Nesting

299

Expansion Nesting

300

Nesting Order and Autonesting

302

Autonesting

302

Effect Priority

302

3D Warp (Xpress Pro)

303

Experimenting with Effects

304

What’s New in

306

Xpress Pro HD

306

HD output

307

New Resolutions

309

AVX 2.0 Support

311

Marquee Titles

311

Film Enhancements

311

Glossary

312

GLOSSARY ■

313

■ GLOSSARY

314

INDEX ■

341

54–55, 55

348


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